11/14/2023 0 Comments Paul herzel owl bookends![]() We have seen numerous different bookend animals with curves converted into planes, chiefly produced during the thirties, by various foundries. We judge that these bear bookends were produced circa 1920, which would make these bookends a transitional form between Arts and Crafts and Art-Deco styles and Sorensen a progressive and enterprising designer and artisan. The Chase Copper and Bronze foundry was producing exclusively geometric bookends by about 1930, for example. Art Deco was already showing geometric designs by the nineteen twenties. The natural curves of the bear are converted into flat geometric planes, and this is Art Deco rather than Arts and Crafts design. Sorensen’s bear bookends shown here have traditional Arts-and Crafts style bases of simple metal sheeting cut to size, and naturalistic subject material, as favored by Arts and Crafts workers, in this case a bear. The woman that posed for these bookends was Leone Osborne, a celebrated model of the day.Įach of the bear bookends are marked on the under surface of the base with an angular S within a letter C and with a signature of Carl Sorensen and the word bronze. Art Deco elements in these original bookends include a streamlined female and geometric buttressing. Victorian nudes were often presented as nymphs or Classical Greek or Roman personages in order to avoid sexual connotation. ![]() The frog is a Victorian element which makes the female a creature of nature rather than a sexual object. The inclusion of the frog is a bow to the passing Victorian style which was overlapping with Art Deco at this time. The Nude and Frog bookends are transitional between Victorian and Art Deco styles. Each bookend presents a sylph-like nude standing on one leg and shying away from a frog nearby. One of the earliest pairs of Frankart bookends are popularly known as Nude and Frog. The success of Frankart items has continued to the present day, and Frankart bookends are collected today by lovers of Art Deco. ![]() Many of the items featured streamlined, sylph-like female nudes designed by von Frankenberg which were very well received, possibly because they contrasted with classical Victorian nudes and were compatible with the emerging boyish figures of the flapper girls. produced bookends, ashtrays, lamps, and other metal household accessories. was a New York City foundry established by the artist, Arthur von Frankenberg, in the early nineteen twenties. These electroformed bronze bookends are also marked with the name of Paul Herzel, and they are attributed to Armor Bronze Inc.Frankart Inc. The pirate bust below gives us a recognizable pirate with only a stern mustached face, an ear ring and a red bandana. His haughty stance clearly advertises his power.īut, we do not need all these details of dress and accoutrements to identify a romantic pirate. A red bandana peeks out from beneath the hat. Finally, his mustache and tricorn hat and an ear ring in his left ear make him an elegant chap. The man’s shirt has been torn, undoubtedly in a fight, but, his close-fitting, nineteenth century pantaloons and his high boots are in good shape. This pirate wears knives on his colorful sash and leans on his sword while keeping one foot on a coil of rope. But how does a pirate look? Pirate bookends show us pirates in the round, and the bookends must be correcct, at least for the popular conception of pirates, because we immediately recognize pirates on bookends. Signed “Paul Herzel.”ĭoubloons, swords, treasure chests, eye patches- everyone knows that all these identify pirates because Hollywood told us so.
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